SLOTH:
1. Apathy and inactivity in the practice of virtue (personified as one of the deadly sins).
2. Any of several slow-moving arboreal mammals of South and
3. A disinclination to work or exert yourself.
I am living up to two-and-a-half of the aforementioned points these days. Why climb branches when you have a snug bed, a wall to lean back onto, a packet of biscuits to pounce on in case of untimely stomach calls, the comp right next to you with the keyboard on your lap, multiple googletalk windows open and active and most importantly, you guitar to turn to to echo the river of tunes flowing in your head, thanks to all the Clapton and Floyd and Joe Sat you've listened to during your state of acedia. It's this part of your life in campus - a vice we shall christen 'Psenti-sem', and I dare say it's got to be appended to the se7en; they should call it ei8ht I guess ;).
One of my friends here who started blogging recently was talking (I am not sure I could call it cribbing) about how it was his Psenti-sem and still he had no psenti. Well, is there anyway you could actually get a psenti just for your last sem? I see the psenti eliminating the latest vice we coined, but we hit a snag here. A four-and-a-half month trial version of a psenti isn't really a psenti. It's something like freeware (if you substitute the treats with (w/t)alks) you download and experiment with. If you really like the trial version, you'll pay a semester later, not with money but with a heavy heart, trying to make yourself believe that long-distance is going to work in your case. It just doesn't. You simply have to resign yourself to Sloth 4.1. You've just downloaded the full version, and it's free!
So how is Sloth like? Let me try and explain. There may be alternate versions, and they may be just as vague. It's like finding a coach for the Indian cricket team. There's no single solution. There are so many that you're totally zapped and have to contend with the one you believe is the best, and go all-out with him. (Still from time to time you're not sure he's your coach, and rant publicly against him in all tabloids, but that remains another issue).
When you're in Sloth mode 4.1 (or 4.2 or 5.1 or 5.2 in other cases), there's this particular inkling to listen just as keenly as the first time to a number that has gone into its 176th repeat. If it's a song-video, well, you simply give up trying to bring yourself play another song. You begin to note down significant instances in the video, like the time Clapton starts off fiddling with chords for the first minute and 3 seconds, and then the bass guitar joins in playing a mysterious chord I still haven't been able to figure out, to be accompanied by a gentle tap of the drums a couple of seconds later and at 1:17 Clapton ends the unknown chord sequence with a smile towards the drummer who goes rat-tat-a-tat-tat and then the confluence of the guitars and drums happens, the crowd suddenly goes wild realizing that the number is Cocaine - a masterpiece by Clapton. Fine, the suspense no longer remains suspense when you listen to it over and over again, but the kick you get out of it is undiminished throughout.
Well, and then there is this inner persuasion that drives you away from your room come night time. You just walk. Somewhere. You don't really have an idea about the time, it's probably 1 in the morning for all you care. You look up to the stars. You try and identify the few constellations you know. You wish the moon would just disappear so you could get a better look at the astral bodies. Hum the song you’ve listened to that day. Find a possible interpretation to the psychotic lyrics. You wonder why. Then you wonder why you wondered why when you know you can never zero in on the real reason for the song to come into existence. Most songwriters are either loonies or geniuses, and are almost always gifted with the art of pulling the right strings on live shows. It just comes out brilliantly, and most people are left marvelling at the numbers of years these guys practise relentlessly. When you can’t think more than you already have and are totally saturated with inner voices, you stop, sigh, walk back to your room and crash.
That’s the Sloth 4.1. I love it, and execute its routine everyday.
Credits:
1) Eric Clapton's Cocaine which I keep experimenting with (only on the guitar ;) )
2) Wordweb (er, you now know where I flicked the definition of Sloth from).